Mike Hankinson was born in Great Britain and lives in South Africa, but this lp was produced in the United States. I got the mp3's and scans from a visitor, who was so kind to allow me to share them.
from the sleeve notes:
This record is the first L.P. ever recorded using only the Electronic Music Studios "Synthi" VCS-3. This instrument has the capability of producing virtually any sound, but was used purely as a straight musical instrument on this L.P. The only modification - a potentiometer control was added, which gave a sliding octave up or down, by rotating the control, thus extending the keyboard to 5 octaves.
Side one:
1 Toccata and Fugue in D minor (Bach) [7:05]
2 Variations - Mein junges Leben hat ein End (Sweelinck) [3:29]
3 Sonata in D major (Scarlatti) [2:46]
4 Sonata Rondo (Clementi) [3:20]
Side two:
1 Concerto in A minor (Bach) [2:59]
2 Eine kleine Nachtmusik (Mozart) [3:37]
3 Italian Concerto (Bach) [3:37]
4 Moonlight Sonata (Beethoven) [5:08]
[Listen low quality]
[Download high quality]
from the sleeve notes:
This record is the first L.P. ever recorded using only the Electronic Music Studios "Synthi" VCS-3. This instrument has the capability of producing virtually any sound, but was used purely as a straight musical instrument on this L.P. The only modification - a potentiometer control was added, which gave a sliding octave up or down, by rotating the control, thus extending the keyboard to 5 octaves.
Side one:
1 Toccata and Fugue in D minor (Bach) [7:05]
2 Variations - Mein junges Leben hat ein End (Sweelinck) [3:29]
3 Sonata in D major (Scarlatti) [2:46]
4 Sonata Rondo (Clementi) [3:20]
Side two:
1 Concerto in A minor (Bach) [2:59]
2 Eine kleine Nachtmusik (Mozart) [3:37]
3 Italian Concerto (Bach) [3:37]
4 Moonlight Sonata (Beethoven) [5:08]
[Listen low quality]
[Download high quality]
5 comments
( 312 views )
| permalink
| related link
This is 60's library beat with Hammond organ and they put all the effects on it they could get their hands on. Like Jimmie Haskell did on his exotica Countdown album and Belgium band The Free Pop Electronic Concept on A New Exciting Experience.
My copy is a bootleg cd (Zippy). The last 2 songs are so disturbed, I can't believe this was on the original record. But you never now.
Lp released on Design Album.
01 Mindblower
02 Zenquake
03 Clockburst
04 Bells for Eternal Zoom
05 Inner Ear Freakout
06 The Shadows of Vibrate
07 Prism on Prism
08 Lunar Sea
09 Ashbury Trippin'
10 Coming Down
[Listen to low quality fragments]
[Download high quality]
My copy is a bootleg cd (Zippy). The last 2 songs are so disturbed, I can't believe this was on the original record. But you never now.
Lp released on Design Album.
01 Mindblower
02 Zenquake
03 Clockburst
04 Bells for Eternal Zoom
05 Inner Ear Freakout
06 The Shadows of Vibrate
07 Prism on Prism
08 Lunar Sea
09 Ashbury Trippin'
10 Coming Down
[Listen to low quality fragments]
[Download high quality]
This is not so much moog as you would expect from the title. Only in a few songs it plays the main role. In the others it does the brass part.
It even is not really blues, more soul.
I hope I have the titles right, on the label the a and b side were switched and on the cover one title was missing. Soul is not my cup of tea, so I don't recognize all the melodies.
Side one:
1 Slip Away [2:38]
2 Funky Broadway [3:12]
3 Soul Man [2:28]
4 Midnight Hour [2:30]
5 Chain of Fools [2:54]
6 Son of a Preacher Man [3:27]
Side two:
1 Hold on, I'm coming [2:53]
2 See Saw [2:37]
3 Drown in my own Tears [4:21]
4 After Hours [3:06]
5 What'd I Say [2:46]
6 Rainin' in my Heart [2:38]
Excello Records 8014
[Listen to low quality fragments]
[Download high quality]
It even is not really blues, more soul.
I hope I have the titles right, on the label the a and b side were switched and on the cover one title was missing. Soul is not my cup of tea, so I don't recognize all the melodies.
Side one:
1 Slip Away [2:38]
2 Funky Broadway [3:12]
3 Soul Man [2:28]
4 Midnight Hour [2:30]
5 Chain of Fools [2:54]
6 Son of a Preacher Man [3:27]
Side two:
1 Hold on, I'm coming [2:53]
2 See Saw [2:37]
3 Drown in my own Tears [4:21]
4 After Hours [3:06]
5 What'd I Say [2:46]
6 Rainin' in my Heart [2:38]
Excello Records 8014
[Listen to low quality fragments]
[Download high quality]
This is a religious Moog album on the Light record label. You can tell that from the titles, but you can hardly hear it. The music is good and the Moog well used. It is played by Clark Gassman, the same guy who played the Moog on Martin Denny's Exotic Moog. Ralph Carmichael was the director. Carmichael wrote and arranged pop tunes for Peggy Lee, Bing Crosby, Nat King Cole, Perry Como, and Stan Freberg(!). And he composed for Bonanza, Lucy Ball and Danny Kaye shows.
I bought this record very cheap because it had a bump at the border. So the first track on each side is unplayable. Therefore I post mp3's I got via the web some years ago.
Side one:
1 All My Life
2 Bright New World
3 The New 23rd
4 I've Got Confidence
5 His Land
Side two:
1 He's There Waiting
2 A Quiet Place
3 Searching Questions
4 My Little World
5 The New Hallelujah
[Listen to low quality fragments]
[Download high quality]
I bought this record very cheap because it had a bump at the border. So the first track on each side is unplayable. Therefore I post mp3's I got via the web some years ago.
Side one:
1 All My Life
2 Bright New World
3 The New 23rd
4 I've Got Confidence
5 His Land
Side two:
1 He's There Waiting
2 A Quiet Place
3 Searching Questions
4 My Little World
5 The New Hallelujah
[Listen to low quality fragments]
[Download high quality]
Capitol released on Ultra Lounge Wild, Cool & Swingin' a magnificent collection of the first three Mrs. Miller lp's. Those were all Capitol lp's. But there is a fourth lp on Amaret: Mrs. Miller Does her thing. This is never (officially) released on cd.
"After three albums, Mrs. Miller was dropped from Capitol Records, only to be picked up by the small Amaret label. On her forth album, 'Mrs. Miller Does Her Thing' the reality of Elva Miller was even further distorted. On the cover she is pictured in a psychedelic hippie dress, with an outreached plate of green brownies. The album included songs such as Mary Jane, Green Tambourine, Green Thumb, Renaissance of Smut, and the infamous Granny Bopper.
Elva was completely unaware of the drug symbolism until the album was already in stores. The song 'Mary Jane' became the theme for a feature film of the same name, which featured pop star Fabian as high school teacher fighting a marijuana gang.
Record executives had transformed the image of Mrs. Miller into an aspiring late sixties drug icon. Whereas Elva was happy to join in on the joke before, here is when the joke began to betray her."
from The Elva Miller Historical Society Comprehensive Biography.
Like any aspiring singer, Mrs. Elva Miller has had to struggle to be heard. In her case, though, the struggle has been going on for most of her 58 years. When she was a child, people were forever telling her to knock off the singing and please go skip rope or something. But she persevered, joined the high school glee club and the church choir, later studied voice for seven years at Pomona College.
Her husband felt that everyone should have an outlet, so he underwrote the cost of her first record-cutting sessions. It was during one of her recording sessions at Capitol Records studio in Hollywood that Mrs. Miller was discovered and introduced to a company producer who immediately signed her to a contract.
'The record certainly wasn't my idea,' explains Mrs. Miller. 'I'd never attempted popular songs, the studio men just popped the music in my hands- sorta sneaky like- and I started.'
from www.mrsmillersworld.com.
In 1967 Mrs. Miller had a role as herself in The Cool Ones, you can see here part on YouTube.
Side one:
1 Renaissance of Smut
2 Up Up and Away
3 Anything Goes
4 Green Tambourine
5 Tiptoe Through The Tulips
Side two:
1 Green Thumb
2 The Roach
3 I Sleep Easier Now
4 My Pet
5 Mary Jane
6 Granny Bopper
[Listen low quality fragments]
[Download high quality]
"After three albums, Mrs. Miller was dropped from Capitol Records, only to be picked up by the small Amaret label. On her forth album, 'Mrs. Miller Does Her Thing' the reality of Elva Miller was even further distorted. On the cover she is pictured in a psychedelic hippie dress, with an outreached plate of green brownies. The album included songs such as Mary Jane, Green Tambourine, Green Thumb, Renaissance of Smut, and the infamous Granny Bopper.
Elva was completely unaware of the drug symbolism until the album was already in stores. The song 'Mary Jane' became the theme for a feature film of the same name, which featured pop star Fabian as high school teacher fighting a marijuana gang.
Record executives had transformed the image of Mrs. Miller into an aspiring late sixties drug icon. Whereas Elva was happy to join in on the joke before, here is when the joke began to betray her."
from The Elva Miller Historical Society Comprehensive Biography.
Like any aspiring singer, Mrs. Elva Miller has had to struggle to be heard. In her case, though, the struggle has been going on for most of her 58 years. When she was a child, people were forever telling her to knock off the singing and please go skip rope or something. But she persevered, joined the high school glee club and the church choir, later studied voice for seven years at Pomona College.
Her husband felt that everyone should have an outlet, so he underwrote the cost of her first record-cutting sessions. It was during one of her recording sessions at Capitol Records studio in Hollywood that Mrs. Miller was discovered and introduced to a company producer who immediately signed her to a contract.
'The record certainly wasn't my idea,' explains Mrs. Miller. 'I'd never attempted popular songs, the studio men just popped the music in my hands- sorta sneaky like- and I started.'
from www.mrsmillersworld.com.
In 1967 Mrs. Miller had a role as herself in The Cool Ones, you can see here part on YouTube.
Side one:
1 Renaissance of Smut
2 Up Up and Away
3 Anything Goes
4 Green Tambourine
5 Tiptoe Through The Tulips
Side two:
1 Green Thumb
2 The Roach
3 I Sleep Easier Now
4 My Pet
5 Mary Jane
6 Granny Bopper
[Listen low quality fragments]
[Download high quality]
Most of this album consists of radio recordings from Radiohus Studio, Stockholm, Sweden, 9/5/67. The last two songs are recorded live at the Konserthus, Stockhom, 1/9/69. Wizardo WRMB 333.
The record is a bit scratchy.
Jimi Hendrix - guitar
Noel Redding - bass
Mitch Mitchell - drums
Side one:
1 - Sergeant Pepper's Lonely Hearts Club Band [1:45]
2 - Hey Joe [4:08]
3 - I Don't Live Today [4:22]
4 - The Wind Cries Mary [3:37]
5 - Foxy Lady [3:37]
6 - Fire [2:59]
Side two:
1 - Burning of the Midnight Lamp [4:06]
2 - Purple Haze [5:13]
3 - Sunshine of Your Love [7:51]
4 - Voodoo Child (Slight Return) [7:56]
[Listen low quality fragments]
[Download high quality]
The record is a bit scratchy.
Jimi Hendrix - guitar
Noel Redding - bass
Mitch Mitchell - drums
Side one:
1 - Sergeant Pepper's Lonely Hearts Club Band [1:45]
2 - Hey Joe [4:08]
3 - I Don't Live Today [4:22]
4 - The Wind Cries Mary [3:37]
5 - Foxy Lady [3:37]
6 - Fire [2:59]
Side two:
1 - Burning of the Midnight Lamp [4:06]
2 - Purple Haze [5:13]
3 - Sunshine of Your Love [7:51]
4 - Voodoo Child (Slight Return) [7:56]
[Listen low quality fragments]
[Download high quality]
On this 12" the Bakersfield Boogie Boys covered the red neck Merle Haggard song Okie from Muskogee in a way Devo did with (I can't get no) Satisfaction.
Get off my cloud (Rolling Stones) and I get around (Beach Boys) got a more Flying Lizards like treatment, not at least caused by the flat voice of Shari Famous. Flying Tigers is an original song with wah-wah guitar and Jack Bruce bass, so it occasionally sounds like Cream, but it's not Ginger Baker who is drumming.
Okie from Muskogee first appeared on Devotees, a tribute-album before that word existed. It later appeared on the sampler Tales from the Rhino 2.
1 - Okie from Muskogee [2:01]
2 - Get off my cloud [2:22]
3 - I get around [2:16]
4 - Flying Tigers [3:30]
From the back sleeve text:
The Bakersfield Boogie Boys originally appeared on the Devotees album (composed of bands sounding like Devo) performing a strange, Devo-like version of "Okie From Muskogee." Many, like Los Angeles New Wave deejay Rodney Bingenheimer, thought the group was Devo in disguise. Rumors to the contrary, the Bakersfield Boogie Boys are in actual fact three young men from Bakersfield, California.
Citing influences of Devo, the Vanilla Fudge, early Frank Zappa and late Marianne Faithful, the BBB consider themselves slightly out-of-place with the country and western confines of their hometown. "We're a rarity for Bakersfield," says bassist Billy Joe Conrad, "because none of us know anyone related to Buck Owens."
By day Conrad works at a library, guitarist Jimmie Lee Grabert at a paint store, and drummer Gary Hoffman at Der Wienerschnitzel. The band has been rehearsing for almost a year, but live performances so far have been limited to a few appearances in their area. The members hope to make enough money from the sale of this record to purchase a synthesizer, and perhaps move to the Van Nuys area, granting them access to Los Angeles' flourishing club scene.
Not shared anymore.
Get off my cloud (Rolling Stones) and I get around (Beach Boys) got a more Flying Lizards like treatment, not at least caused by the flat voice of Shari Famous. Flying Tigers is an original song with wah-wah guitar and Jack Bruce bass, so it occasionally sounds like Cream, but it's not Ginger Baker who is drumming.
Okie from Muskogee first appeared on Devotees, a tribute-album before that word existed. It later appeared on the sampler Tales from the Rhino 2.
1 - Okie from Muskogee [2:01]
2 - Get off my cloud [2:22]
3 - I get around [2:16]
4 - Flying Tigers [3:30]
From the back sleeve text:
The Bakersfield Boogie Boys originally appeared on the Devotees album (composed of bands sounding like Devo) performing a strange, Devo-like version of "Okie From Muskogee." Many, like Los Angeles New Wave deejay Rodney Bingenheimer, thought the group was Devo in disguise. Rumors to the contrary, the Bakersfield Boogie Boys are in actual fact three young men from Bakersfield, California.
Citing influences of Devo, the Vanilla Fudge, early Frank Zappa and late Marianne Faithful, the BBB consider themselves slightly out-of-place with the country and western confines of their hometown. "We're a rarity for Bakersfield," says bassist Billy Joe Conrad, "because none of us know anyone related to Buck Owens."
By day Conrad works at a library, guitarist Jimmie Lee Grabert at a paint store, and drummer Gary Hoffman at Der Wienerschnitzel. The band has been rehearsing for almost a year, but live performances so far have been limited to a few appearances in their area. The members hope to make enough money from the sale of this record to purchase a synthesizer, and perhaps move to the Van Nuys area, granting them access to Los Angeles' flourishing club scene.
Not shared anymore.
Back Next